Thursday, July 23, 2009

Conan connundrum


For some reason I have veered away from blogging about Chinese stuff and have begun drawing a lot. I know I will get back to writing, but drawing stuff is so much fun I have to take a crack at it!

Anyway, this is a pencil drawing of one of my favorite comic book characters Conan the Barbarian. He has just slain a giant serpent ind his sword is stuck, meanwhile marauders from the temple are coming to attack him, since he disrupted the sacrifice of the girl on the left. Probably doesn't need that much explanation but I thought I should have some text on here!

Here is a link to the full size version

More later ...!

Wednesday, July 8, 2009

Rent-a-foreigner

First, let me say that our wedding was beautiful, even though a massive deluge interrupted the ceremony! It was lots of fun, and I recommend our method to anyone, which is to have a three-day party with friends and family and just embrace and enjoy every second! More on that later.

So, while I was back on Long Island just before the wedding, I was going through my many boxes of stuff that was in the barn. Among said stuff, I found a business card... This card did not bear my name, but it was mine for a few days back in 1997 or '98. I have contacted the only person I could find in all of Googledom with the same name as this guy, and will post his response if it ever comes. In the meantime, I've blurred out his last name just in case.

What follows in the whole sordid tale.....(note: I wrote this shortly after getting back from China in 1999, and have edited slightly since then. )

The Garry Identity

One day while sitting at my computer at work in Beijing (at website company Chinabig.com,) a colleague, Xiao Hou, sat down next to me and asked me if I would do her a favor. She was cute and always put a hand on my leg when she talked to me, so I said yes.

She gave me a phone number and asked me to call her friend, Helen, who worked for an Australian textile machinery company. She said Helen needed a translation, so I said no problem, as I always look for translating experience and extra cash.

When I called Helen the next day, however, I found that this was no simple translation. This was a covert operation that would involve finesse and deception of the highest degree.

Helen’s company had a problem. A large textile machinery exhibition was coming up in rural Shandong province, and in order to appear as a major player, the company wanted to have a representative from its parent company in Australia make an appearance. But they could not afford to fly anyone over. Helen said that her company would pay me 1,500 kuai, three days of my salary, to impersonate an Australian manager at the two-day conference. All I had to do, she said, was come along, not speak any Chinese, and not talk to any other people who might ask technical questions about the products.

I was skeptical, but as it was an insane and highly questionable endeavor, I figured it would be “good material,” as my mom would say, so I agreed. Helen’s boss, Mr. Wang, said he would make up some fake business cards and my name would be Mai Ke’r — Mike.

This was a strange coincidence because not two days before, I had been hanging out at my favorite bar, the Palm Tree, with friends Rao Shan and Hong Lin, when an older man came in and began drinking heavily. He explained that he was a teacher, and was pretty unhappy with his life. We tried to talk him out of his depression, and he eventually cheered up, but as he got progressively more drunk, he started calling me Mai Ke’r. I told him my name was Ben, but since “ben” is a Chinese word for “stupid,” he refused to call me Ben and dubbed me Mike. When we all stumbled out of the Palm Tree and said goodbye to that guy, I thought I had been called Mai Ke’r for the last time.

A few days later, I had been approved for time off from work (I did not reveal my true plans to my employer) and we were set to leave. I met Wang and a couple of the company's Beijing salesmen at the long-distance bus station and we boarded a mini-bus bound for Quzhou, Shandong. Wang said hello and handed me a small box.

“Ah,” I said. “I’m Mike now.”

“Not Mike,” Wang said. “Garry.”

I opened the box and looked at the cards. Sure enough, there were about a dozen cards that said Garry [last name redacted for now], Regional Manager. These were not some fake business cards of a made-up person. This was an actual manager’s card. We boarded the bus and I settled in to my plastic seat and tried to get into Garry’s mind, wondering what kind of person the real Garry was, and if any one at the expo would know him. I figured I would conduct myself in a professional manner to reflect well on the man, in case his textile machinery career ever took off and he happened to make an unlikely trek to the backwaters of Shandong Province.

Seven or eight hours later we got to the town of Quzhou, and I soon discovered how far off the beaten path we actually were. The Beijing sales reps took me to a small restaurant, which was supposed to be the best in town. The magnificent repast was going to take a while to prepare, so I went off in search of cigarettes (I used to smoke, but have since quit).

In China, smoking is very common, especially among men. It is still pretty off limits for women, except for really old women who nobody could take for a promiscuous harlot. Smoking and cigarettes are a huge part of the culture, as it stands now. Exchanging smokes with a person is an easy icebreaker, and makes an immediate bond. As the saying goes: “yan jiu bu fen jia.” “Cigarettes and alcohol are shared like we are family.”

Also, every province, and many cities, have particular brands of cigarettes that the locals smoke. Some are better than others. Beijing has some really good cigarettes, including the famous “Panda” brand, Deng Xiaoping’s favorite, which cost about $25 a pack. They also have really, really bad ones, such as “Heaven,” which are green in color and are about the foulest tobacco product available. You can feel your alveoli self-destructing in despair with each puff of a Heaven. Regardless, when you go on a trip, it is fun to look for the local brand of smokes and buy a couple of packs to bring back to your friends.

I spied a cigarette kiosk, and was scanning for the local brand. All I saw were “Double Happiness,” a Shanghai brand, a couple of other national brands, and Marlboros, probably fake ones manufactured on a boat in the South China Sea. You can usually tell the counterfeit Marlboros by the typos in the Surgeon General’s warning on the side of the box. It says: “Smoking can cause petal deformities” (instead of “fetal deformities”).

As I was considering my purchase, I suddenly realized that a group of about six men was cautiously gathering around me. I was a little bit nervous, but I realized that they were more likely curious than threatening, and were probably not spies sent by the textile people. So I just said hello: ni hao.

They looked at each other, and one of them spoke up. “You speak Chinese,” he said.

“Yes.”

“We were wondering, where are you from?”

“America,” I said.

“Can we have your autograph?”

This took me by surprise. I was used to the daily “conversation” I had when meeting new Chinese people. “The conversation” was usually exactly the same, and was a sort of daily affirmation for me of how smart I was and how good my Chinese was. It usually happened in a taxi and went like this:

Taxi driver: “Where are you from?”

Me: “America.”

TD: “Wow, your Chinese is excellent! How old are you?”

Me: “25” [or whatever I was that year]

TD: “Great! How much do you make?”

Me: “7,500 a month.”

TD: “That’s so much! How long have you been in China?”

Me: “Four years.”

TD: “Your Chinese is so good!”

And so on. Usually the driver would ask about my family and if the ride was long enough we could get down to some myth explosion like how there is actually poverty in the United States, too, and how prostitution is generally not legal.

I had been to a couple of out-of-the-way places before in my travels around China. In one case, a Tibetan man had asked me how long a train ride it was to get to the United States.

But this request for my autograph was a new ego-bending twist on “the conversation.” I told the man that I was nobody famous and my autograph was really not a much sought-after commodity where I came from. But they explained that they had never actually seen a foreigner before and they wanted my signature just the same. So they walked with me to the small restaurant where my Beijing “colleagues” were eating and asked for some paper napkins, which I signed in both English and Chinese.

My fans waited patiently by while I signed all six napkins, and then politely thanked me and filed off down the street. The more-metropolitan Beijingers had a good laugh about it, and we all sat down for the meal, now ready.

The local delicacy was a greasy mutton soup accompanied by a rock-like “mo,” a round biscuit that appeared to be regulation size and density for the NHL. You are supposed to soak the bread ingot in the gray mire of the soup for about 15 minutes to get it soft enough to eat. The mo then deconstructs itself into the soup and the whole thing becomes a gnarly porridge. I am usually open to fresh culinary experiences, but this was a new low. Luckily there was plenty of 100 proof baijiu, distilled liquor, to go around, which was strong enough to render my furious taste buds temporarily senseless.

After dinner we went back to the hotel to prepare for the next day.

“Remember,” Wang said. “No Chinese.”

I practiced saying “G’day” to myself as I drifted off to sleep.

In the morning we boarded a bus and headed downtown. It was immediately clear that this was this biggest thing to hit this town since 1949. There were banners everywhere and hundreds of people swarming in from all around the country. The main events were taking place at the industrial center of the town: a textile factory. The first order of the day was a lecture in an auditorium at the factory complex about the textile machinery industry, which was excruciatingly dull. It was not hard for me to pretend I did not understand a word of it because I was utterly bored.

Since the company I was traveling with was from Beijing, and since they had a foreigner with them, we were given special treatment, and a special tour of the factory followed. The factory actually had one of “our” machines.

Seeing the machine in action was interesting, because it was controlled by a computer. The design of the cloth was laid out on the computer, and the cutting machine interpreted the data and cut out the pattern on multiple layers of cloth. I wanted to ask questions, but restrained myself from saying anything in Chinese.

As always with any significant event in China, a banquet followed. The president of the factory took me and my colleagues to a local restaurant for lunch and drinks. Luckily, we were able to say that we had already sampled the local specialty, so we were spared having to deal with the gray soup again. The baijiu flowed freely, but I staid my tongue, an especially difficult task since once inebriated, my Chinese becomes more fluent than ever, or at least I feel like it does.

In the end, I believe I did well by Garry, and if I ever meet the guy, I definitely owe him a beer or 15.

Friday, June 12, 2009

magic tiiiime

OK, so here I am on the verge of nuptial bliss, smoking a cigar and drinking good whisky (Stranahan's Colorado). I am about to go back east to Vermont to get married in a couple of weeks, in case my dear readers did not know, so I thought I would post a little bit of Chinese-related marriage stuff!


But first check out this pencil sketch I did recently of an alien chasing a dude on a hover bike!! (No relation to how I feel about getting married, mind you, it is just something I drew recently and would like criticism on. Click for larger image)


OK. The first thing I can say is that I am glad we are getting married in 21-st century USA instead of feudal China. Back in the day, you would not even know your bride/groom or what they looked like/enjoyed eating/preferred activities/favorite color. It was all arranged in advance by the families. Michala and I have been dating for several years, with the engagement and wedding planning lasting for about a year and a half on its own! And no matchmaker!


The Chinese word for marriage ceremony is 婚礼 (hun1 li3). The second part of the character means simply "ceremony" or "rite." But the first part is interesting because it has the radical for female: 女 (nv3) and for dusk: 昏 ( hun1). Apparently this is because marriages in olden times used to take place in the evening. (according to baike.baidu.com)


There are a million details on how marriages went down in China, but I think one thing that is quite interesting is that pretty much all of the characters associated with marriage have the female radical 女 in them. Here is a brief list of those words:



婚 (hun1) marriage, get married (woman + dusk)
姻 (yin1) relatives by marriage (woman + reason)
嫁 (jia1) to marry to a man (woman + home)
娶 (qu3) to marry a woman (woman + retrieve)

I am very excited to get married! I keep getting asked "are you nervous?" But I don't feel nervous, rather I feel a sense of destiny, a feeling of impending fulfillment, and a sense of connection with the millions of other beings (humans, obviously, but also our animal cousins, whose psychological and emotional dimensions remain largely unplombed by us) who have entered into similar committments, in whatever form, with whatever combination of individuals.

Next post: I will be a married man!

Monday, May 18, 2009

Comix

So. A few weeks ago I went to Comic Con in Denver, which was really geeky and totally fun. Before that, I saw the movie "Watchmen" and was really impressed, so I went and got the graphic novel, which was awesome. Having found myself in a writing job, I also find myself with little time or motivation to write for myself. As evidenced by serious slacking in the blog department.

My first idea was to write a story for a graphic novel and see if I could pitch it somewhere. But after writing to Dave Wolverton (aka David Farland who writes the "Daily Kick in the Pants" for writers, which is great), he said you have to be fairly well-established and then the artists will contact you. So I decided to come up with a graphic novel, or rather, a graphic flash fiction exercise and see if I could take it from concept to a final comic-book-looking type of product, doing all the steps (writing, pencilling, inking coloring) myself. Turns out I could! Not that it is the greatest story or art ever, but I am pleased that I was able to [here it is] translate an idea into an actual thing. With color. So, click on the images to see a larger version.



Saturday, May 9, 2009

My Dad at 70

Many days since last post, attempting to rectify...

I was trying to find a poem for my Dad for his 70th birthday, and came across this one. The poet is supposedly Yue Fu (not sure of characters), but I've never heard of him. Not that that means anything. Still, it is a nice poem, called "After Rain" (雨後, yu3 hou4):

雨後树林润
松间月惊心
笑而思故园
异客在异乡

yu3 hou4 shu4 lin2 run4
song1 jian1 yue4 jing1 xin1
xiao4 er2 si1 gu4 yuan2
yi4 ke4 zai4 yi4 xiang1

After the rain, the forest is slick
Through the pines, the moon startles me.
I smile and think of home,
A stranger in a strange land.

RARE BLOG UPDATE!!
Siew Gin pointed out that the poem reminds her of another famous poem by Li3 Bai2 李白 (aka Li Po). This one is probably the most famous poem ever:

床前明月光,疑是地上霜。
举头望明月,低头思故乡。
chuang2 qian2 ming2 yue4 guang4, yi4 shi4 di4 shang4 shuang1.
ju3 tou2 wang1 ming2 yue4, di1 tou3 si1 gu4 xiang1.

Before my bed the moon is so bright, it seems as though there is frost on the ground.
I lift my head to gaze at the bright moon; lowering my head, I think of home.

Similar themes: The Moon. Thinking of home. Drunk old dudes writing poetry. Anyway, the line about thinking of home is very similar: 思故乡 vs. 思故园. Did these guys know each other? Since I can't find any info on Yue Fu it is hard to tell...

Thursday, March 12, 2009

Grass mud horse your mom

DANGER: Foul language ahead! Yippee!


My friend Dan pointed out an article in The New York Times about an online video that thwarts the Chinese Web censors.

The Times article makes the video out to be some kind of heroic rebellion against the dark red Commie forces - and I guess it is. But it is also just funny in an immature, clever sort of way.

Basically, it is a song performed by kids (at least it sounds that way), about a beast called the Grass Mud Horse (草泥马 cao3 ni2 ma3). This illustrates the importance of tones in Chinese. The same phrase said with different tones is a common (but super vulgar) insult: 操你妈 (cao4 ni3 ma1), which means "f*** your mother."

Of course, the Grass Mud Horse is not real and even if you said the tones that way, people would still think you meant the naughty phrase, since you are a laowai (lao3 wai4 老外 - "foreigner") and can't deal with tones anyway.

The video is funny because it talks about this mythical beast, the Grass Mud Horse, but the background film is just some kind of advertisement video for somebody's alpaca farm (photo caption is wrong. Oops.). Also, you can't really sing the tones, so basically what it boils down to is, you are watching slow-motion video of alpacas chewing stuff and jumping around, meanwhile these kids are cheerfully crooning "f--- your mom's c---" !

The thing about censorship becomes obvious (according to the NYT - I didn't know this), when the lyrics talk about "river crabs," 河蟹 (he2 xie4), which the grass mud horses fight and eventually drive out of their homeland, the Ma Le Gobi (desert presumably). Incidentally, this part 马勒戈壁 (ma3 le4 ge1 bi4), sounds like mother's c---. But "river crab" sounds like "harmony" ( he2 xie2 和谐), which apparently is the word the censors use to describe censoring. So many layers of euphemism and deception!

So here are the lyrics. Remember, everytime it says "grass mud horse," they are really saying FYM, and Ma Le Gobi means "your mother's c-." Oh and River Crab means censorship.

The intro is the kids saying: "I am a Grass Mud Horse, this is the Grass Mud Horse song!"

在那荒茫美丽马勒戈壁有一群草泥马
In the vast and desolate Ma Le Gobi desert, there is a herd of Grass Mud Horses

他们活泼又聪明,他们调皮又灵敏,他们由自在生活在那草泥马戈壁,他们顽强勇敢克服艰苦环境。
They are lively and intelligent, mischievous and sensitive. They live freely on the Grass Mud Horse Gobi, and tenaciously and bravely face the harsh environment there.

噢,卧槽的草泥马!噢,狂槽的草泥马!他们为了卧草不被吃掉 打败了河蟹,河蟹从此消失草泥马戈壁
Oh! The Grass Mud Horse lying down, the Grass Mud Horse going nuts! To protect their grass from being eaten, they defeated the River Crab. From then on, the River Crab disappeared from the Grass Mud Horse Gobi!

Friday, February 20, 2009

Getting medieval on a Sunday

Note: This is a version of a story I wrote that appeared in the Westword online. The editor thought this version was too much like a newspaper article, but I liked it so here it is! I think I am OK in posting it here since the quotes are different and the story is different, it is just about the same event.

Suburban swashbucklers

I spent Sunday learning the ancient art of the “spada a dui mani,” or two-handed Italian longsword, at a place called the Rocky Mountain Swordplay Guild in Wheat Ridge. A bastion of medieval fighting tactics in the heart of the Front Range, the RMSG offers a great full-body workout, a history lesson and a chance to wield some serious heavy metal.

Not your daddy’s D&D

Before you start thinking “frustrated Dungeon Masters screwing around,” let me introduce you to one Maestro Fiore dei Liberi da Premariacco. Dei Liberi was an Italian swordmaster who wrote a comprehensive combat manual in 1409 titled “Il Fior di Battaglio,” or “The Flower of Battle.”

Dei Liberi’s manuscript (of which only three copies are known to exist) forms the basis of the core classes at RMSG. In addition to longsword, the book lays out a complete fighting system including grappling, and fighting with daggers, lances and poleaxes. Lead instructor and school founder Roger Siggs has worked on translating the “Flower” as well as other medieval fighting treatises. These works make up the main teaching materials of what is known as historical European martial arts (HEMA), or Western martial arts (WMA).

Siggs, who has a Master’s degree in medieval history from University of California - San Diego (with a concentration in Byzantine military history), started RMSG in 2006 when he moved to Colorado. He became interested in HEMA while he was a member of the Society for Creative Anachronism (SCA), but after 13 years he parted ways with the SCA in favor of a more structured and historical approach to getting medieval.

“Eventually I felt that the SCA didn’t fit my needs (it’s a club where fighting is an ancillary aspect of the organization) so I began working towards the development of WMA/HEMA as a distinct martial style, rather than relegating it to renaissance faires and that sort of thing,” Siggs said.

‘Ready … FIGHT!’

The daylong workshop started with a rousing game of Hooverball. This game – invented by President Herbert Hoover’s personal physician to get the portly commander-in-chief in fighting shape – involves two teams hurling a medicine ball over a net, volleyball-style. Players try to catch the ball and throw it back over the net (in this case a rope) so it lands without being caught. The act of chucking the 10-pound ball over the rope is a great warmup and activates the muscles that are needed to swing swords around (that is, pretty much all of them).

Then we grabbed the blades. Ssssshing! “Die, fiend!” Ahem, I get ahead of myself. Dei Liberi’s work outlines “dances,” or forms, with the longsword. These dances show the students how to transition between the various positions and guards. Then the class broke into pairs and began practicing “plays,” or brief snippets of combat, where one person attacks and the other performs a counterattack.

The students, all of who had varying degrees of experience in HEMA or other martial arts, did not fit into any particular mold, but all shared a love for things medieval.

“I’ve always pursued somewhat anachronistic hobbies,” said Douglas Wagner, 38, of Denver (shown fighting me in red pants at right). Wagner, a curatorial assistant in the Denver Art Museum’s Asian Art Department, also studies jousting and participates in jousting tournaments. In HEMA he found a way to express an old dream in new ways.

“With martial arts you find there is no such thing as an ultimate goal. The goal is to always improve,” he said. “I get to become that vision of myself as a Renaissance or medieval character that I’ve imagined myself to be since I was a kid.”

Actor and stage combat director Benaiah Anderson, 32, said he studies at RMSG to improve his martial arts skill and get ideas for his work. However, he doesn’t use the material directly, even in his current role in “Richard III” at the Denver Center for Performing Arts.

“The audience wants an exciting visual story, not the most direct way to kill your opponent,” Anderson said.

Siggs, a black belt in aikido, judo and kyokushinkai karate, gleefully directed the controlled melees.

“I’m gonna smack him down, then I’m gonna hit him, then I’m gonna hit him again,” said Siggs, demonstrating a parry and two swift sword strokes.

Looking on, class participant and acupuncturist R. Scott Malone said the action reminded him of something.

“It’s like a steel bitch slap,” Malone said.

An important question

After minutes of contemplation, I finally thought of the most profound and deep question I could ask Siggs about his art: Who would win a fight, Fiore dei Liberi or Bruce Lee?
“Personally, I’d have to say Fiore,” Siggs said. “We know that he fought five duels at the sword with only regular clothing and no armor.”

However, Siggs does cede the Little Dragon one point:

“Bruce Lee is famed not just for movies, but also for his development of Jeet Kun Do – his method of martial arts – which posits the idea that all fighting is systemic and by following a series of core principles, you can gain ability and skill in any situation,” Siggs said. “Amazingly enough, this is the same mindset Maestro Fiore details for us, but 600 years earlier.”

Siggs said that people who are interested in the material would do well in the class. But, if your only goal is to be a “bad ass,” then the class is not for you, since there is a lot of hard work involved.

“Personal development, alongside of butt-kicking, is really the primary focus of our work,” he said.